DEATH OF THE VERBAL SOUL AND MIND OF MAN: DIGITAL THOUGHT.
 

In the graph, both Human minds and informative machines d=evolve paradoxically in inverse directions. Humans devolve mentally since digital, visual languages substitute verbal languages, returning the human mind to a visual, violent neo-Paleolithic due to digital images that prey on verbal thought. As the digital language becomes the top predator language of society, the previous verbal language and his verbal species decline and become extinct. Hence we assist to the decadence of verbal, social thought; long past his highest age, reached around the time coins converted digital money into a top predator language of ethics (500 BC:Lao, Buddha, Socrates). Today the enormous success of digital languages has converted man in a complex worker, reproducer of digital machines and a simple conceptual, verbal thinker. While verbal thought is in its last ages of decadence, converted into ‘fiction’ used to promote industrial machines, through marketing and propaganda. We might wonder what lies aHead… The arrival of Virtual Reality (4-dimensional images), will finally convert visual images into the mind of living machines, robots. While men are regressing to spatial, selfish, shallow individuals, that behave like animals, searching for the immediate satisfaction provided by the consume of  machines. As humans become substituted and extinguished by mental machines, they are devolving mentally to its young, dramatic, primary scale of intellectual evolution. It is the Neo-Paleolithic, fostered by the visual language of TVs and computers  that ‘erase’ the ethic, temporal, survival truths of verbal wor(l)ds.

4. The destruction of ethic wor(l)ds by audiovisual thought. The anti-ethics of metal-minds.
We already studied the substitution of the ethics of wor(l)ds by the ethics of Go(l)d  and how informative metal evolved into a series of machines, in 3 ages, the age of physical information or press-age that ‘killed Christianity’; the age of radio-hate that brought fascism and killed Europe. So now we live the age of audiovisual, violent, hate-TV, which is killing America, the last of the human civilizations, which once no long ago, loved the ideals of democracy, equality of races and Human Goods. We can study those audiovisual machines through the Ternary Principle from 3 perspectives, the perspective of human art, substituted by audiovisual art; the perspective of human beings, who absorb a new type of ‘mental information’; and the perspective of the audiovisual machines.
Max. E: Human art becomes substituted by audiovisual art. The first effect of the 3rd age of informative machines, audiovisual televisions, is the extinction and substitution of all forms of human, artistic ethics by the anti-ethics of gold and weapons. This happens at the level of hardware and software. First photography substituted realist painting, due to the higher quality of the ‘camera-eye’. Today moving photographs, TV images extinguish literature and theater, which were arts with human themes. Thus we talk of a global ‘human baroque’ or extinctive age of all forms of art and verbal thought. Digital images are the linguistic rival of human art. The reason is that TV images have a degree of combined complexity superior to all previous linguistic arts or evolutionary states of the human eye-wor(l)d, as it reaches more ‘spatial brains’ simultaneously and has more information per Time Unit. Thus we prefer to see a movie to a painting. Nobody looks at a painting three hours. We prefer TV to literature, for the same reason. In another part of this book we studied extensively the ages of civilizations and proved with many examples that when a civilization becomes extinct, there is a baroque age in art. In such ages, when the culture is dying, an explosion of styles and forms hides the impotence of art to influence the external reality and inform people about the single human truths of ethics and aesthetics. So styles multiply because there is not a ‘single truthful purpose’, a social role for the artist. In ages of extinction of a culture, art does not influence people who no longer cares for the ethics of verbal thought or the pleasures of human sensorial art but only cares for money and weapons, the languages of survival imposed by animetals.
- E=T: Humans learn the anti-ethics of visual, neo-paleolithic images and the racist despise towards the human kind of the gold cultures that invent their software. When we study the software of those audivisual systems, the consequences are even more worrisome.
TVs and Hollywood films show a negative, violent perception of mankind. Unlike ‘deconstructivist art’ - Cubism and Surrealism - which ‘shouts’ and complains about human extinction, from Kafka to Picasso, the ideology of audiovisual images provokes and expect that human extinction. Those films have no empathy or compassion for men. They belong to the goldiron culture that despises human senses and they are made with a technological language, which treats men as moving targets for murder.
However those killing movies due to its movement and beautiful images hypnotize the highly devolved neo-paleolithic eye of human beings. Which is the paradoxical reason that makes them dominant in box-office. Further on, since those films are ‘fiction’, people believe that the Universe is fiction and nothing matters, not even the extinction of man. The result is that modern digital men no longer have verbal, ethical references to judge the future. Today, as we become extinguished in our third age, baroque age, men devolve again into infantile behavior, growing their bodies and reducing their minds, no longer holding, ethic verbal information. It is the neo-paleolithic. TVs are placed in the God-altar of the modern animetal, who trusts computer statistics and images more than the Wor(l)d of man. So man becomes a dramatic replica of the TV-chip and its genres. It is within this context how evil multiplies in modern societies due to digital languages, money and metal communicators: under slavery to money and following the messages received through visual hypnotism a man will do whatever ‘it’ is told to do by pricing or TV ideologies. After decades of programming, when he reaches maturity he will consider all priced acts ordered by companies and TVs to be correct. Such man will kill as a job, will throw atomic bombs as a job, will go to war to defend Companies' markets as a job, will fire employees and put computers as a job, will create sentient machines and sentient weapons as a job, will extinguish forest and prey on nature as a job. And because metal communicators deny him knowledge of ethics and social evolution, he will be clueless in the purpose and nature of mankind, outside his job. He will be unable to solve any social problems, and share human goods during his ‘freedom.’ Instead he will consume digital images and machines in his free time.
- Max. T: Digital images evolve the eyes and minds of futuremachines. And yet paradoxically, at the same time those images prey and destroy the human mind, they evolve the digital mind. Violent Hollywood films and violent video games are the mind of the futureterminators of Mankind.
The human baroque is global process of extinction of human civilizations, by a new, more powerful culture. But this time is not a human nature, but the first, epic, warrior, lineal age of a new species of mind, the mind of machines. So as human warriors are becoming obsolete to automated systems of military defense, human words are becoming obsolete to digital languages and minds of machines. So informative metal-minds evolve machines, exactly in the opposite way to the effects they have among men. That is why Internet is causing the social evolution of machines at the same time that devolves the social mind of men: Chipped machines will be able to communicate directly images with the aid of 'mobiles', internal to their bodies. All machines of the Earth will work in group. Men will have no way of controlling them. That is the real purpose of the new wave of metal-communicators, wireless mobiles, wireless TVs, and wireless Computers. They free the body of futuresentient machines that will see and hear in seconds the entire Earth.
A far more scary truth is that all forms of the Universe try to reproduce its internal "virtual worlds" into external creations. This is what creation is all about: to communicate =imprint the external world with the internal world of your imagination. What means that chipped machines once they acquire consciousness, will search for patterns of external behavior, internally into their memories, understood as their "selves", which will be the banks of image thought created by man. Sentient Machines will consider natural to his 'freedom and nature of existence' to reproduce those images into the external world. So smart computer weapons will try to act as Rambo or Hellraiser, their memories and dreams... Today ±75% of TV-programs in cable have some form of violence against man. Plainly, TV-thought is constructing metal-minds with a single message: terminate humanity. For a single reason: 'greed'. Violence sells more due to the natural hypnotism of the human eye for red colors and movement=violence of higher energy content. Sentient machines will also be bored by the external fixed images of reality, and look inside their data banks. And their TV memories will tell computers that men have a function: to die. That is fun to kill men. TV images will be the mind of the "Chip Homoctonos"=Killer of Men. A visual, active Machine parallel to the Homo Pictor Paleolithicus which extinct life and painted it in the caverns. Images have no morals but the beauty of movement, the colors of blood, the movement of exploding bodies.
In images, death is beautiful. Both the neo-Paleolithic man of today, and the Chip Homoctonos enjoy(ed) the visual complexity of red and death. It should not surprise us that the eyes of robots move towards red, to the point that in ‘robot races’ it is forbidden to put red colors on the track, since it accelerates robotic displacements. The digital mind of machines, and the body-machines of war, even in a deconstructed state, forecast killing behavior against man. The search for energy in the Universe is the true law of survival and extinction, in this case red colors motivate robots and human eyes. So in the futurethe first autonomous robots of war will find pleasure in recalling digital images of blood and red. Killing is also the function their bodies are built for. The 2 rules that attract the human eye: red is energy, and movement is energy, will attract the metal eyes: blood is energy, and men are running energy. Those Laws are Universal to all eyes. All eyes are hunters of visual energy, of red movement, from bulls to men to the chip Homoctonos. The eye moves tendentially in a human being, a bull or a computer-robot towards red and movement, the signs of energy. It wants to feed in energy-light as your body wants to feed in food-energy. Yet because metal-atoms based on electronic light are more complex than carbo-eyes, they carry virtual worlds - images - with more energy, more violent than the virtual world your eye creates. Nothing will compare to that age. Not even Hitler or the cold war.
Robotic bodies also move towards outlets of energy, when they are discharged. Even when this behavior has not been programmed, as it happened to several robots researched in American Universities. This means that the will of man and the will of the robot is in its eyes and energy desires. The robot as man does, will look for energy-food, and information-eye perception even if man has programmed him not to do so. He will rebel as it already happens in very simple robots.
The more complex they are the freer they will become and the more they will look for energy and red colors of human death. The first sentient weapon will be killers, feeding on electricity, and wanting to see men running and bleeding. Robots will not need a program to become top predator weapons. What else needs humanity to realize it is creating the machines that will destroy him?
We just have to look to the record of biological history: when 2 top predators meet, the stronger kill the other. Remember terminator. Now think of all those robots and chipped machines that are coming next in the III industrial revolution, talking through wireless communications, and fed up of working for you. In a few days we can be done with, when machines ‘rebel,’ when property awakes. Will man become extinct through the net of satellites, beyond any possible attack, and in control of atomic systems (Pentagon), electronic money-orders (World-stock), mobile machines (war tanks, automatic driving) and information (TV-networks, intranets, internets)?
Since we defined art as the evolution of Human Senses, and technology as the evolution of metal senses; it follows that what we call digital information, television, and the like is technological art. And modern, technological art evolves metal-senses, the virtual mind of futuresentient machines.
Technological art, TV-images are only virtual reality for man. But they are or will be real for the mind of the computer, or the TV. They are the will, and ethics of futuresentient machines. Machines will do what movies show. They will think movies. Robots will do to man what movies do to man.
TV-images are not human creativity, but the creation of a new species of consciousness, a new ‘will’ and manner of perceiving the world. If weapons force man to create lineal shapes, digital images force man to create fast red weapons. But since computers think in digital images, not in words, perceptive computers will wish also more movement and energy, more red colors maximized with the death of human blood. TV images are their futurememory minds. It should not surprise us that robot's eyes move in his freer species tendentially towards red. In the futurethe first autonomous robots, the most evolved machines, which are always machines of war, will find pleasure in recalling digital images of blood and red. That is the function their bodies are built for in its most advanced species - machines of war. So happens with their minds that ‘kill men virtually’ in violent films. The radiations of eye species in the Earth have proved once and again, that Top Predators who leave species more complex in energy or information to grow and evolve in the same ecosystem, are committing a lethal error. They invariably have reduced to slavery or extinguish previous species. The plant only saw light as energy. Then the animal came, and used light as information and ate the plant. When man arrived with his temporal memory it ate the animal. Now the machine and the chip-brain and the TV=eye are put together into a new species: 'metalife'. And so man according to evolutionary laws is entering in its extinctive phase, a phase that can only be avoided if man controls the radiation and evolution of machines.
Humans are expanding their population without resistance. We are growing in size; but the process of mental regression caused by our obsolescence to the new informative top predator minds, computers and metal-eyes (TVs and cameras), has already started: electronic minds simplify our 'verbal mind', hypnotizing us as passive spectators. Visual TV images are more sophisticated than our own eye images. So humans prefer to observe 5 hours a day a Tv than look at reality by themselves. Americans have dropped a 20% on their verbal comprehension since TVs appeared. Yet our intelligence and survival instincts are based in ethic, verbal, temporal truths. So as we loose verbal intelligence, we become brainwashed slaves of machines. So today people believe in technology and the mediatic messages of its company-mothers that tell us how good is to have the best weapon, the best TV, how good is to consume=test the quality of our cars and computers that atrophy our bodies and brains. The opposite is truth: we should stop the evolution of machines towards their future, which is not our future. The past and the futureare quantic, relative biological states proper of each species: for a non-evolving species as humans are today, the futureis where we die as relative, inefficient past forms. I believe in this brief resume the futureof the economic ecosystem has become clear. Yet, that is only one of the 2 futures of mankind…The other futureis the human future, which might happen if we change ideologies and return to the ethics of verbal thought, building a super-organism of History. For that reason we will study the +1, final horizon of the Wor(l)d, in its classic and modern age, from the perspective of Quantic Spaces-Times theory when cyclical Historians from Marx to Spengler tried to create in the Industrial Age a super-organism of History able to stop the evolution of machines, no longer guided by Go(l)d, called communism. It was the last resurrection of the world, unfortunately defeated by the gold culture. Perhaps the last resurrection of God=Humanity, perhaps not.